Tag Archives: Artist

You’ll Never Believe This…. (Part 3)

Wow, Part 3 already! If you’re wondering what i’m talking about pleas see my older posts (Part 1 & Part 2). 
I’ve just sent my exhibition entry form with descriptions of the photos etc and i’m doing my video interview this Sunday in London. Also Sarah & i have booked our Hotel for 7 nights with flights in Florence, Italy for the opening meet and greet. I’m a little excited! 🙂
I thought i would share with you which photos were chosen and my descriptions & aims of the images for this Florence exhibition in December.
Please comment and let me know what you think, as i’d love to hear your feedback on my descriptions, aims & photos! 🙂
 
My Exhibition Photos
 
Image 1: ‘Stormy Bay’ – Ilfracombe, Devon, England

P1020199

Brief description: Photograph taken in a huge storm with my iPhone 4s camera. (I wouldn’t get my Nikon camera out of it’s bag as the weather was too bad). I’ve applied a grayscale effect to bring out how I felt on the day (very wet, cold and shivery). A great memory of the English southern coast on New Years Day.

Aim of the work: I felt the strength of the storm (with howling winds and lashing rain) and wanted an image that captured the moment. Using dramatic black and white I wanted to draw people into the strength and power of the elements so they could feel the strength of the storm for themselves. 

Image 2: ‘The London Eye’

London eye 7

Brief description: Stood close the Eye looks big but through the wide angle lens of my Sony Alpha a100 camera it felt like a huge bike wheel in the sky ….very sureal.

Aim of the work. Looking at life from a different angle.

Image 3: ‘Arches’ – Hampton Court Palace

Hampton Court Palace

Brief description: One of my very first photos taken as blind photographer. Taken with a Fugi F10 camera. I was visiting Hampton Court Palace and was struck by the contrast between the heat in the sunny parts and the cool in the the shadows when walking down this corridor. I wanted to reflect this in the patterns made by sunlight playing though the arches. I used black and white in this image to capture this feeling.

Aim of the work. To demonstrate the amazing effects sunlight can have on it’s surroundings.

Image 4: ‘Life on the water’ (canal boat – Heartfordshire, England)

Canal Boat

Brief description: Walking along a peaceful, tranquil path by the canal I was taking shots of different things around me with my Sony Alpha a100 camera. I heard the rumble of this boats engine and took photos as it passed. On returning home and zooming into the images with my computer this one stood out, as when seen in detail there was much more in it than I had first thought. It captures a story of the man with his dog living a laid back lifestyle on the boat … all the materials of his life surrounding him. The photo I felt encompassed this mans life and told his story whilst also conveying the peace of the day and tranquility of my surroundings.

Aim of the work. A single photo that tells the story of this mans life – the more you zoom in the more you see.

Image 5: ‘Portsmouth Cathedral’

Portsmouth Cathedral

Brief description A dramatic image of Portsmouth Cathedral on a hot but cloudy day.Taken with my iPhone 4 camera at a friends ordination ceremony.

Aim of the work. The ceremony was very grand and I wanted to capture the feeling of the spendour and grandeur of the ceremony and Cathedral in a photo. From experience I know that using black and white on architecture creates a dramatic feel, especially on a cloudy day.

The Gladness Of The Man Of Sorrows

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As he sees us day by day more conformed to his image, he rejoices in us. Just as you see the sculptor with his chisel fetching out the statue which lies hidden in the block of marble, taking off a corner here, and a chip there, and a piece here—see how he smiles when he brings out the features of the form divine—so our Saviour, as he proceeds with his graving tool, working through the operation of the Spirit, and making us like unto himself, finds much delight in us. The painter makes rough drafts at first, and lays on the colours roughly; some do not understand what he is doing, and for three or four sittings the portrait is much unlike the man it aims at representing; but the painter can discern the features in the canvas; he sees it looming through that mist and haze of colour; he knows that beauty will yet beam forth from yonder daubs and blotches. So Jesus, though we are yet but mere outlines of his image, can discover his own perfection in us where no eye but his own, as the Mighty Artist, can perceive it. Dear friends, it is for this reason, because we are the work of his hands, that he takes delight in us. We are his brethren—and brothers should delight in brothers. We are his spouse—and where should the husband find his comfort but in his bride? We are his body—shall not the head be content with the members? We are one with him, vitally, personally, everlastingly one; and it is little marvel, therefore, if we have a mutual joy in each other, so that his garments smell of myrrh, aloes, and cassia, out of the ivory palaces of his church, wherein he has been made glad.

As yet we do not see The Lord Jesus Christ or what we will be as the finished product of his work for us and in us, but that fact should not lessen our joy  Our Saviour is totally satisfied with the fruit of his work for sinners.

by Charles Spurgeon

God’s Special Work Of Art

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Each one of us is God’s special work of art. Through us, He teaches and inspires, delights and encourages, informs and uplifts all those who view our lives. God, the master artist, is most concerned about expressing Himself- His thoughts and His intentions- through what He paints in our character; He wants to paint a beautiful portrait of His Son in and through your life. A painting like no other in all of time.

Joni Eareckson Tada

A Tragic Mess

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Benjamin West tells how he actually became a successful and important painter.  When he was young, his mother went out and left him in charge of his sister Sally.  In the meantime, little Benjamin discovered bottles of colored ink and began to do Sally’s portrait.  What a mess soon developed.  Finally, when Ben’s mother came home and saw the tragic mess, she said nothing.  She merely picked up the paper with the portrait and said, “Why it’s Sally!” and she kissed Ben.  Ever since that day, West has said, “My mother’s kiss made me a painter.”

 

Raymond T. Moreland


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